Artists

Constance Tenvik

Theatricality plays an essential part in Constance Tenvik’s bringing together of performance, music, costume and fashion design, painting, drawing, sculpture, floor coverings, and large-scale wall drawings. Her practice is marked by emotional intensity, fierce passion, limitless curiosity, and forceful intuition. Frequently her exhibitions incorporate all of the aforementioned elements as glittering, colorful, immersive environments. Her paintings recall both the languid portraits of Henri Matisse and historic photographs from the Weimar Republic, all with a sense of decadence that expands with lighthearted enthusiasm into the surreal. Tenvik’s canvases convey both action and communion—wine glasses are perpetually upturned and caught mid-spill; long, curled fingers seek out those of another in a tender cuddle.

There is a freedom in Tenvik’s world not found within the constraints of IRL culture, gender, and physics. Her subjects don pastel-blue complexions and dripping feathers, and hover in midair over their friends in gentle conversation. Born in 1990, the artist cites her frequent travels and artist residencies as sources of inspiration. Tenvik is very social, and painting a friend or acquaintance becomes an intimate dialogue as well as a record or diary entry of all the individuals she has met. Each new environment is an opportunity to expand her vocabulary of companionship, to meet subjects open to interpretation. The artist reflects: “Every time I find something external, I also kind of make it my own. . . . I’d say I have my own universe going on.”1 With exuberance and curiosity, evident in everything from the electric yellow streaks in her subjects’ hair and fingers to their universally warm and confident gazes, Tenvik reinvents our staid reality and continues to expand in a fire of connection that will (hopefully) consume everything in its path.

Note
1. “Sense & Sensing: Within the Paracosm of Constance Tenvik,” Ways of UMBCing, University of Maryland, Baltimore County website, https://waysof.umbc.edu/sense-sensing-within-the-paracosm-of-constance-tenvik/.

Constance Tenvik
Lucio
2019
Gouache on paper
26 × 18 cm

Constance Tenvik
The Lovers
2021
Oil, oil pastel, and charcoal on canvas
60 × 51 in
152.4 × 129.5 cm

Constance Tenvik
Papa in Pajama
2018
Gouache on paper
26 × 18 cm

Constance Tenvik
Fiona with Her Hand on her Heart and a Cold Glass of Pouilly Fumé by the Thundering Camping Wagon of Werner
2019
Gouache on paper
26 × 17.5 cm

Constance Tenvik
The Last Breath of the Metropolis & Other Myths We Are Living
2021
Acrylic, pearl, gouache, and charcoal on canvas
150 × 200 cm

Constance Tenvik
The Slumber of the Visigoths
2020
Gouache, pearl-ex, glitter, and acrylic on canvas
185 × 200 cm

Constance Tenvik
Cedric
2018
Gouache on paper
26 × 18 cm

Constance Tenvik
Aphrodisiac
2022
Acrylic on canvas
18 × 24 cm

Constance Tenvik

Theatricality plays an essential part in Constance Tenvik’s bringing together of performance, music, costume and fashion design, painting, drawing, sculpture, floor coverings, and large-scale wall drawings. Her practice is marked by emotional intensity, fierce passion, limitless curiosity, and forceful intuition. Frequently her exhibitions incorporate all of the aforementioned elements as glittering, colorful, immersive environments. Her paintings recall both the languid portraits of Henri Matisse and historic photographs from the Weimar Republic, all with a sense of decadence that expands with lighthearted enthusiasm into the surreal. Tenvik’s canvases convey both action and communion—wine glasses are perpetually upturned and caught mid-spill; long, curled fingers seek out those of another in a tender cuddle.

There is a freedom in Tenvik’s world not found within the constraints of IRL culture, gender, and physics. Her subjects don pastel-blue complexions and dripping feathers, and hover in midair over their friends in gentle conversation. Born in 1990, the artist cites her frequent travels and artist residencies as sources of inspiration. Tenvik is very social, and painting a friend or acquaintance becomes an intimate dialogue as well as a record or diary entry of all the individuals she has met. Each new environment is an opportunity to expand her vocabulary of companionship, to meet subjects open to interpretation. The artist reflects: “Every time I find something external, I also kind of make it my own. . . . I’d say I have my own universe going on.”1 With exuberance and curiosity, evident in everything from the electric yellow streaks in her subjects’ hair and fingers to their universally warm and confident gazes, Tenvik reinvents our staid reality and continues to expand in a fire of connection that will (hopefully) consume everything in its path.

Note
1. “Sense & Sensing: Within the Paracosm of Constance Tenvik,” Ways of UMBCing, University of Maryland, Baltimore County website, https://waysof.umbc.edu/sense-sensing-within-the-paracosm-of-constance-tenvik/.

Constance Tenvik
Lucio
2019
Gouache on paper
26 × 18 cm

Constance Tenvik
The Lovers
2021
Oil, oil pastel, and charcoal on canvas
60 × 51 in
152.4 × 129.5 cm

Constance Tenvik
Papa in Pajama
2018
Gouache on paper
26 × 18 cm

Constance Tenvik
Fiona with Her Hand on her Heart and a Cold Glass of Pouilly Fumé by the Thundering Camping Wagon of Werner
2019
Gouache on paper
26 × 17.5 cm

Constance Tenvik
The Last Breath of the Metropolis & Other Myths We Are Living
2021
Acrylic, pearl, gouache, and charcoal on canvas
150 × 200 cm

Constance Tenvik
The Slumber of the Visigoths
2020
Gouache, pearl-ex, glitter, and acrylic on canvas
185 × 200 cm

Constance Tenvik
Cedric
2018
Gouache on paper
26 × 18 cm

Constance Tenvik
Aphrodisiac
2022
Acrylic on canvas
18 × 24 cm

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